{"id":115,"date":"2026-02-25T13:39:13","date_gmt":"2026-02-25T12:39:13","guid":{"rendered":"http:\/\/localhost\/site_CieHK\/wordpress\/?page_id=115"},"modified":"2026-04-21T16:49:26","modified_gmt":"2026-04-21T14:49:26","slug":"la-compagnie","status":"publish","type":"page","link":"https:\/\/cie-koubi.fr\/index.php\/la-compagnie\/","title":{"rendered":"La Compagnie"},"content":{"rendered":"\n
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LA COMPAGNIE<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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Herv\u00e9 KOUBI, dans ses \u0153uvres, explore la question de l\u2019identit\u00e9, qu\u2019elle soit individuelle ou collective. Son parcours personnel, marqu\u00e9 par la d\u00e9couverte tardive de ses origines alg\u00e9riennes, nourrit une r\u00e9flexion artistique sur la place de l\u2019h\u00e9ritage et de la m\u00e9moire dans la construction de soi.<\/p>\n\n\n\n

Les danseurs de la compagnie Herv\u00e9 KOUBI incarnent aussi la diversit\u00e9 culturelle et sociale. Le chor\u00e9graphe valorise des corps et des parcours souvent \u00e9loign\u00e9s des circuits institutionnels de la danse contemporaine, offrant une visibilit\u00e9 \u00e0 des artistes marginalis\u00e9s. Cette d\u00e9marche inclusive contribue \u00e0 d\u00e9construire les st\u00e9r\u00e9otypes et \u00e0 promouvoir l\u2019\u00e9galit\u00e9 des chances dans le monde artistique. Les cr\u00e9ations d\u2019Herv\u00e9 KOUBI sont travers\u00e9es par une volont\u00e9 de dialogue entre les cultures. Les r\u00e9f\u00e9rences \u00e0 la danse urbaine, au hip-hop, \u00e0 la capoeira ou au ballet et \u00e0 la danse contemporaine t\u00e9moignent de la richesse des \u00e9changes et de l\u2019ouverture \u00e0 l\u2019autre. Par la beaut\u00e9 et la force du geste, ses spectacles c\u00e9l\u00e8brent la fraternit\u00e9 et l\u2019universalit\u00e9 du corps en mouvement, invitant le public \u00e0 d\u00e9passer les fronti\u00e8res et les pr\u00e9jug\u00e9s. <\/p>\n\n\n\n

Au-del\u00e0 de l\u2019esth\u00e9tique, l\u2019\u0153uvre du chor\u00e9graphe porte un message social et politique fort : celui de la lutte contre l\u2019exclusion, le racisme et les discriminations. En mettant en lumi\u00e8re des histoires et des v\u00e9cus souvent invisibilis\u00e9s, il participe \u00e0 la construction d\u2019une soci\u00e9t\u00e9 plus juste et plus solidaire. La sc\u00e8ne devient ainsi un espace de r\u00e9sistance et de r\u00e9flexion sur les grandes questions de notre \u00e9poque.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Danser Ensemble<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

La compagnie place \u00e9galement la transmission au coeur de la cr\u00e9ation. Elle puise dans ses nombreuses interventions aupr\u00e8s de divers publics pour nourrir ses cr\u00e9ations, et r\u00e9pondre ainsi \u00e0 la philosophie du \u00ab danser ensemble \u00bb qui traverse tout le travail d\u2019Herv\u00e9 KOUBI. Tout le monde peut danser. Partout, tout le temps. C\u2019est ce qu\u2019Herv\u00e9 KOUBI a \u00e0 coeur de transmettre en d\u00e9ployant l\u2019action culturelle de la compagnie sur des territoires pluriels et vari\u00e9s. Partout o\u00f9 ils vont, la compagnie et ses danseurs s\u2019adaptent \u00e0 son environnement et \u00e0 ses habitants.<\/p>\n\n\n\n

En cr\u00e9ant dans un r\u00e9seau multi-territorial, Herv\u00e9 KOUBI s\u2019adresse \u00e0 des publics aux sensibilit\u00e9s, attentes et r\u00e9f\u00e9rences diff\u00e9rentes. Cette diversit\u00e9 l\u2019incite \u00e0 interroger ses \u0153uvres, leur r\u00e9ception et leur accessibilit\u00e9. Cette d\u00e9marche favorise l\u2019\u00e9mergence d\u2019un public fid\u00e8le, mais aussi l\u2019ouverture vers de nouveaux spectateurs plus jeunes, plus curieux ou issus d\u2019autres horizons.<\/p>\n\n\n\n

La rencontre d\u2019un processus de cr\u00e9ation avec plusieurs territoires offre une palette de couleurs et d\u2019influences qui nourrissent chacune des cr\u00e9ations. Elles s\u2019impr\u00e8gnent des lieux, des histoires et des humeurs propres \u00e0 chaque lieu. La danse d\u00e9passe ainsi les fronti\u00e8res physiques et culturelles, et permet au chor\u00e9graphe d\u2019exp\u00e9rimenter de nouvelles formes et d\u2019enrichir son identit\u00e9 artistique.<\/p>\n<\/div>\n<\/div>\n\n\n\n

En mouvement perpetuel<\/h2>\n\n\n\n
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Pour exemple, Ce que le jour doit \u00e0 la nuit et son prolongement Les nuits barbares ou les premiers matins du monde, qui convoquent au plateau quatorze danseurs masculins venus d\u2019Alg\u00e9rie, questionnent la filiation, l\u2019h\u00e9ritage, une appartenance tiraill\u00e9e entre les deux rives de la M\u00e9diterran\u00e9e. Aujourd\u2019hui, sans perdre leur sens premier, elles interrogent et d\u00e9rangent les codes de la virilit\u00e9, en montrant aussi la fragilit\u00e9 d\u2019un ch\u0153ur d\u2019hommes dansants. Boys don\u2019t cry (cr\u00e9ation 2018) r\u00e9sonne particuli\u00e8rement avec des pr\u00e9occupations actuelles, vives notamment en milieu scolaire, de lutte contre le harc\u00e8lement, l\u2019homophobie, la genrisation ou encore le poids de la famille comme obstacle \u00e0 la libert\u00e9 d\u2019\u00eatre soi.<\/p>\n\n\n\n

Sol invictus se positionne sur une diversit\u00e9 plus vaste et plus fluide que la binarit\u00e9 fran\u00e7ais\/\u00e9tranger, valide\/non valide, femme\/homme\u2026 pour cr\u00e9er un monde o\u00f9 chacun a la possibilit\u00e9 d\u2019affirmer sa singularit\u00e9, tout en restant au service du collectif.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Herv\u00e9 KOUBI, dans ses \u0153uvres, explore la question de l\u2019identit\u00e9, qu\u2019elle soit individuelle ou collective. 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